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The ‘Alien Autopsy’ Film (Socorro, NM 1947 UFO Crash)

A scene from the "Alien Autopsy" film

A scene from the "Alien Autopsy" film

In 1995 London based businessman Ray Santilli caused what has been arguably the biggest controversy in the entire history of UFO research when he launched his ‘Alien Autopsy’ film across the front pages of magazines and via the TV screen in over 20 different countries. By far the most popular TV documentary made at the time was the Fox Network’s ‘Alien Autopsy – Fact or Fiction?’ which has often been repeated on numerous cable and satellite stations.

RECAP

For those who are unaware of this controversial film, a brief recap might be in order. London video producer Ray Santilli claimed that in l992 he was in Cleveland, Ohio in the USA looking for vintage film clips of rock-n-roll performers from the l950′s. People like Elvis Presley and Pat Boone were at the top of his list. Santilli claimed that he met an elderly gentleman from who he purchased a rare clip of the late Elvis live on stage. The elderly chap had filmed the piece himself while working as a freelance cameraman in l950′s. Shortly before returning home Santilli was contacted by this elderly cameraman again who this time had something different to offer. The story he told was that prior to being a freelance cameraman he was a cameraman with the US Army and in l947 he had been flown to Roswell, New Mexico on a special assignment. Initially he was informed that he was to film the crash of a Soviet spy plane but on arrival it became clear that this was no Russian plane. Instead he claimed to have filmed the UFO crash at Roswell in l947 and not only that, but the actual autopsy of 2 of the dead aliens.

Quite naturally Santilli was more than interested and at a later date he visited the cameraman at his home to view this other footage. To his amazement it did indeed appear to show the autopsy of an alien. Santilli immediately agreed to buy the film for cash, the only other condition being that he was never to reveal the identify of the cameraman himself. Santilli, not having the amount of money involved, reported to be around $150,000, but never confirmed, eventually turned to his German business partner Volker Spielberg for assistance. Over the next couple of years Santilli purchased the film and transported it to the UK where it was transferred to video. In l993 Santilli contacted myself to see if I might be able to assist in the making of a UFO documentary. Eventually he told me of the film he had purchased and his plans to commercialise it. It was not until early l995 that I first saw any of the film. My wife Sue and I visited Santilli’s offices in London on several occasions to view the film. At the time I was the conference organiser for the British UFO Research Association (BUFORA) and already had a conference planned for August l995. I asked Santilli if he would show the film at the conference and he agreed to do so.

In the meantime, after a private screening organised by Santilli in London to an invited audience only, he set about selling the rights to the film to a wide variety of publishers and TV companies around the world. First to publish stills from the film was VSD in France and soon copies were flying around the world via the internet. The day after our conference in August l995 saw the film broadcast on TV around the world. And the rest, they say, is history.